A conversation on cinematic representation and resistance in the films "Altered Landscapes" (2016) by Juan del Gado and "The People Behind the Scenes" (2019), by Elsa Claire Gomis

Juan DelGado; Elsa Gomis

doi:10.26409/2019JMK4.2.14

A conversation on cinematic representation and resistance in the films "Altered Landscapes" (2016) by Juan del Gado and "The People Behind the Scenes" (2019), by Elsa Claire Gomis

Juan DelGado, Elsa Gomis

School of Art, Media and American Studies

Research output: Contribution to journal › Article › peer-review

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Abstract

This is a conversation between Juan del Gado and Elsa Gomis about their respective films. Juan del Gado has made the filmAltered Landscapes(2016), which isthefirst part of a cinematically projected triptych entitled Drifting Narratives. Elsa Gomis has produced the film The People behind the Scenes (2019), a full-length film, which builds on interviews and memory work and address current visual representations of migration by the Mediterra- nean.

Original language	English
Pages (from-to)	223-233
Number of pages	11
Journal	Journal of Mediterranean Knowledge
Volume	4
Issue number	2
DOIs	https://doi.org/10.26409/2019JMK4.2.14 https://doi.org/10.14273/unisa-2327
Publication status	Published - 31 Dec 2019

Keywords

Film
Refugees
Mediterranean
Representation
Migration

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

Access to Document

10.26409/2019JMK4.2.14Licence: CC BY-NC-ND
10.14273/unisa-2327Licence: CC BY-NC-ND

Published_VersionFinal published version, 320 KBLicence: CC BY-NC-ND

Cite this

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