An Analysis of Anger Responses within the Context of Virtualized Consumption of Hatsune Miku

Lukman Aroean, Philip Sugai

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Abstract

Does anger reflect deep meaning of attachment and integration?
In an effort to explicate the above notion and to capture the rapidly
evolving consumer behaviour in the digital virtual terrain, the paper
investigates the responses of fans to a break-out phenomenal from
Japan, the virtual celebrity Hatsune Miku (HM) to a controversial
report from CBS news (see Johnson, 2012). The meteoric rise to
fame of HM, a Crypton Media-produced Vocaloid character which
resembles a 16-year girl, is demonstrated by the sales of total HM
brand goods reaching 10 billion yen (approximately $104 million
USD), and by more than 350,000 vocaloid videos on YouTube and
92,600 such videos on Niconico douga - a Japanese YouTube-like
site (Wikia, 2012; Santos 2011). On one side, the responses from fans
to inaccurate claims by CBS news are replete with furious, cynical,
and sarcastic comments that not only defend the credibility of HM,
but also brutally criticize the validity of the proposed “fake-ness” of
HM. Such comments even go beyond attacking the author of the
article, and retaliate with attacks on America as a nation in response
to a perceived attack on Japan within the article itself. On the other
side, the responses unveil the deep adoration and love of fans to HM
and the meaning, the aestheticism, and the values that HM gives to
these fans and co-creators globally.
With the ignited deep anger from HM fans due to the CBS report
opening an unprecedented view of the “inner thoughts” of HM
from “her” fans, this paper contributes to the domains of virtualized
consumption and consumer emotion by exploring HM fans’ responses,
extracting a number of key concepts and themes, and examining
the link between them, including her real-ness and desired experiential
rewards that the fans claim to truly enjoy.
Original languageEnglish
Pages (from-to)342-5
JournalAdvances in Consumer Research
Volume41
Publication statusPublished - 2013

Keywords

  • Virtualized consumption; anger; grounded theory; emotion; conceptual map

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