Abstract
This article questions the articulation of national values through anthropological and ethnographic discourses circulating in central India during the 1930s-40s. The focus is on Verrier Elwin’s use of the Muria (Adivasi) institution of the ghotul (youth dormitory) to ascertain a creative dialogue between the emerging nation-state and tribal heritage. I argue that Elwin articulated a post-Gandhian approach in his interpretation of the ghotul, which may be re-considered both historically, in relation to Ananda Coomaraswamy’s concept of ‘high swadeshi’, and ideologically, in relation to the philosophy and praxis of Satyagraha. I address these representational shifts according to the analytical logic of satyagraha-as-dialogue, with a view to enhancing an understanding of the travails of inter-cultural outlooks in historical anthropology.
| Original language | English |
|---|---|
| Title of host publication | Pathways of Creative Research |
| Subtitle of host publication | Towards a Festival of Dialogues |
| Editors | Ananta Kumar Giri |
| Place of Publication | New Delhi |
| Publisher | Primus Books |
| Pages | 9-30 |
| Volume | 2 |
| ISBN (Print) | 978-93-84082-05-5 |
| Publication status | Published - 2017 |
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