Abstract
This is a study of the practicalities of staging blood effects for horror performance with particular reference to the Grand-Guignol theatre. It explores the production challenges in several key examples of staging the Grand-Guignol and the balances between dramatic and technical logistics in the pursuit of horrific realism.
Original language | English |
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Pages (from-to) | 21-37 |
Number of pages | 17 |
Journal | Horror Studies |
Volume | 9 |
Issue number | 1 |
DOIs | |
Publication status | Published - 1 Apr 2018 |
Keywords
- theatre
- horror studies
- special effects
- Grand-Guignol
- theatre technology
- scenogrpahy
- blood effects
- design
- intertextuality
- realism
Profiles
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Geraint D'Arcy
- School of Media, Language and Communication Studies - Associate Professor in Media Practice
- Comics Studies Research Group - Member
Person: Research Group Member, Academic, Teaching & Research