Abstract
The baroque Dutch painter Rembrandt Harmenszoon van Rijn (1606–1669 CE) was acquainted with pathological modifications of the breast as shown in the canvas Bathsheba at her toilet (1654 CE); his model, Henrijke Stoffels, was depicted with discoloration of the left breast, peau d'orange and distortion of symmetry with axillary fullness. A diagnosis of breast cancer was initally proposed [1] but was later dismissed in favour of cancer mimickers (tuberculous mastitis [2], lactation mastitis following unsuccessful pregnancy [3], Mondor's thrombophlebitis [4]); this was essentially due to Henrjike's long survival (9 years after the depiction) fairly ruling out advanced breast cancer.
Original language | English |
---|---|
Pages (from-to) | 134-135 |
Number of pages | 2 |
Journal | The Breast |
Volume | 64 |
Early online date | 5 Jun 2022 |
DOIs | |
Publication status | Published - Aug 2022 |
Keywords
- 17th century oncology
- Art and medicine
- Breast cancer
- Iconodiagnosis