Abstract
This article presents a series of key findings from the international Lord of the Rings project, around the meanings and implications for audiences of choosing to describe the films as a `Spiritual Journey'. Drawing on a combination of quantitative results and qualitative responses, and presenting one woman's responses in detail, it proffers a set of implications for the fields of film, and cultural studies.
Original language | English |
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Pages (from-to) | 375-394 |
Number of pages | 20 |
Journal | International Journal of Cultural Studies |
Volume | 12 |
Issue number | 4 |
DOIs | |
Publication status | Published - 2009 |