Abstract
This article presents a series of key findings from the international Lord of the Rings project, around the meanings and implications for audiences of choosing to describe the films as a `Spiritual Journey'. Drawing on a combination of quantitative results and qualitative responses, and presenting one woman's responses in detail, it proffers a set of implications for the fields of film, and cultural studies.
| Original language | English |
|---|---|
| Pages (from-to) | 375-394 |
| Number of pages | 20 |
| Journal | International Journal of Cultural Studies |
| Volume | 12 |
| Issue number | 4 |
| DOIs | |
| Publication status | Published - 2009 |