Abstract
Terrorists – or, better, those portrayed as ‘terrorist’ – are remembered in a multiplicity of ways after their death. In murals and music, in slogans and speeches, on t-shirts and online, in fiction and in film. This article focuses on one specific site of social memory – the newspaper obituary – to explore how these: story deceased ‘terrorists’ via reflection on their character, actions and significance; situate the deceased within relevant structural backgrounds; and, explain ‘terrorist’ behaviour via life-defining, formative experiences. It argues that these obituaries produce the (dead) ‘terrorist’ as a nuanced, complex and situated figure, one: whose designation as ‘terrorist’ is capable of contestation; who often possesses redeeming features; and, whose violences are situated within, and made possible by, wider structural contexts. In so doing, the article offers three contributions to knowledge: empirical, via the first sustained analysis of ‘terrorist’ obituaries as a distinctive mnemonic project; analytical, by elaboration on the processes through which past – rather than current/future – threats are made meaningful; and, conceptual, through reflection on the explanatory work that obituaries do in depicting ‘terrorism’s’ causes.
Original language | English |
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Pages (from-to) | 124-137 |
Number of pages | 14 |
Journal | Critical Studies on Security |
Volume | 7 |
Issue number | 2 |
Early online date | 16 Aug 2019 |
DOIs | |
Publication status | Published - Nov 2019 |