Abstract
Ealing Revisited provides a major reappraisal of one of British cinema's best-loved institutions, Ealing Studios. During its heyday, Ealing produced a string of classic comedies, including Kind Hearts and Coronets (1949), The Lavender Hill Mob (1951) and The Ladykillers (1955), but there is much more to Ealing than these films, as this volume of new writing on the studio shows. Addressing both known and less familiar aspects of Ealing's story, its films, actors and technicians, the contributors uncover what has gone unexplored, or unspoken, in previous histories of the studio, and consider the impact that Ealing has had on British cultural life from the 1930s to the present.
| Original language | English |
|---|---|
| Place of Publication | London |
| Publisher | British Film Institute/Palgrave |
| Number of pages | 304 |
| ISBN (Print) | 9781844575107 |
| Publication status | Published - 2012 |
Research output
- 3 Article
-
The spectacle of realism: special effects at Ealing Studios, 1940-45
Johnston, K. M. & Rickards, C., Jun 2020, In: Screen. 60, 2, p. 261–279 19 p.Research output: Contribution to journal › Article › peer-review
Open AccessFile2 Citations (Scopus)16 Downloads (Pure) -
Reclaiming the 'Vanilla' DVD: Brand packaging and the case of Ealing Studies
Johnston, K. M., 2014, In: Screen. 55, 1Research output: Contribution to journal › Article › peer-review
4 Citations (Scopus) -
Ealing's colour aesthetic: Saraband for Dead Lovers
Johnston, K. M., Apr 2010, In: Journal of British Cinema and Television. 7, 1, p. 21-33 13 p.Research output: Contribution to journal › Article › peer-review
Open AccessFile2 Citations (Scopus)29 Downloads (Pure)
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