Ealing's colour aesthetic: Saraband for Dead Lovers

Research output: Contribution to journal › Article › peer-review

2 Citations (Scopus)

22 Downloads (Pure)

Original language	English
Pages (from-to)	21-33
Number of pages	13
Journal	Journal of British Cinema and Television
Volume	7
Issue number	1
DOIs	https://doi.org/10.3366/E1743452109001319)
Publication status	Published - Apr 2010

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Colour Films in Britain: The Eastmancolor Revolution
Johnston, K. M., Frith, P., Street, S. & Rickards, C., 16 Dec 2021, Bloomsbury Publishing PLC. 384 p.
Research output: Book/Report › Book
The spectacle of realism: special effects at Ealing Studios, 1940-45
Johnston, K. M. & Rickards, C., Jun 2020, In: Screen. 60, 2, p. 261–279 19 p.
Research output: Contribution to journal › Article › peer-review

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2 Citations (Scopus)

15 Downloads (Pure)
Reclaiming the 'Vanilla' DVD: Brand packaging and the case of Ealing Studies
Johnston, K. M., 2014, In: Screen. 55, 1
Research output: Contribution to journal › Article › peer-review

4 Citations (Scopus)

@article{6da2bda0bd48404b9e414dc8ff495dba,

title = "Ealing's colour aesthetic: Saraband for Dead Lovers",

author = "Johnston, {Keith M.}",

year = "2010",

month = apr,

doi = "10.3366/E1743452109001319)",

language = "English",

volume = "7",

pages = "21--33",

journal = "Journal of British Cinema and Television",

issn = "1743-4521",

publisher = "Edinburgh University Press",

number = "1",

}