Further thoughts, and a ManiFESTo, on jazz (festivals) and the decolonisation of music

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Abstract

This short critical-creative piece originates in an EU-funded project on heritage in improvised music festivals (CHIME). It is a supplement to other recently-published research by the author exploring the relation between the touristic offer of certain British jazz festivals and their lack of engagement with the significance of their own civic setting and heritage, focused on festivals held in Georgian or Regency locations (i.e. ones with strong links to the transatlantic slave trade). It explores and metaphorises the double bass and its transatlantic resonances. There is a manifesto.
Original languageEnglish
Pages (from-to)215-223
Number of pages8
JournalJazz Research Journal
Volume14
Issue number2
DOIs
Publication statusPublished - 16 Dec 2021

Keywords

  • festivals
  • slavery
  • heritage
  • history
  • musical instruments
  • materiality
  • manifesto
  • double bass

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