LeWitt, in the Shadow of the Object

Rye Holmboe

doi:10.1162/octo_a_00335

LeWitt, in the Shadow of the Object

Rye Holmboe

Research output: Contribution to journal › Article › peer-review

1 Citation (Scopus)

24 Downloads (Pure)

Abstract

Rye Dag Holmboe examines previously undocumented wall drawings produced by Sol LeWitt in the Torre Bonomo in Spoleto in 1976. Using a psychoanalytic framework derived in part from the writings of Adrian Stokes, Holmboe argues for the existence of an “architectural unconscious” in LeWitt's practice and for the crucial importance of architecture to our understanding of Conceptual art more broadly. The essay further explores the choreographic dimensions of LeWitt's work and its autobiographical impulse.

Original language	English
Pages (from-to)	105-126
Number of pages	22
Journal	October
Volume	Fall 2018
Issue number	166
Early online date	27 Nov 2018
DOIs	https://doi.org/10.1162/octo_a_00335
Publication status	Published - Dec 2018

Access to Document

10.1162/octo_a_00335

Published_VersionFinal published version, 16 MB

Cite this

@article{0c355f09000143ce8aa4ec6ac003db56,

title = "LeWitt, in the Shadow of the Object",

abstract = "Rye Dag Holmboe examines previously undocumented wall drawings produced by Sol LeWitt in the Torre Bonomo in Spoleto in 1976. Using a psychoanalytic framework derived in part from the writings of Adrian Stokes, Holmboe argues for the existence of an “architectural unconscious” in LeWitt's practice and for the crucial importance of architecture to our understanding of Conceptual art more broadly. The essay further explores the choreographic dimensions of LeWitt's work and its autobiographical impulse.",

author = "Rye Holmboe",

year = "2018",

month = dec,

doi = "10.1162/octo_a_00335",

language = "English",

volume = "Fall 2018",

pages = "105--126",

journal = "October",

issn = "0162-2870",

publisher = "MIT Press",

number = "166",

}

TY - JOUR

T1 - LeWitt, in the Shadow of the Object

AU - Holmboe, Rye

PY - 2018/12

Y1 - 2018/12

N2 - Rye Dag Holmboe examines previously undocumented wall drawings produced by Sol LeWitt in the Torre Bonomo in Spoleto in 1976. Using a psychoanalytic framework derived in part from the writings of Adrian Stokes, Holmboe argues for the existence of an “architectural unconscious” in LeWitt's practice and for the crucial importance of architecture to our understanding of Conceptual art more broadly. The essay further explores the choreographic dimensions of LeWitt's work and its autobiographical impulse.

AB - Rye Dag Holmboe examines previously undocumented wall drawings produced by Sol LeWitt in the Torre Bonomo in Spoleto in 1976. Using a psychoanalytic framework derived in part from the writings of Adrian Stokes, Holmboe argues for the existence of an “architectural unconscious” in LeWitt's practice and for the crucial importance of architecture to our understanding of Conceptual art more broadly. The essay further explores the choreographic dimensions of LeWitt's work and its autobiographical impulse.

U2 - 10.1162/octo_a_00335

DO - 10.1162/octo_a_00335

M3 - Article

VL - Fall 2018

SP - 105

EP - 126

JO - October

JF - October

SN - 0162-2870

IS - 166

ER -