Marking Time, Moving Images: Drawing and Film

Edward Krcma

Marking Time, Moving Images: Drawing and Film

Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

Abstract

This article explores the range of ways in which artists have brought the practice of drawing into contact with film. This has to do with a range of related but different practices: the articulation of time and the relationship between movement and stillness; the use of film stills and photographs as source material for the production of drawings; the inscription of manual marks directly onto the surface of celluloid film; and the use of film and digital projection to present the process of making drawings. The article ranges widely from works made in the 1940s and 1950s by Henri Matisse and Henri Michaux, to experimental films made in the '60s by Stan Brakhage and Birgit and Wilhelm Hein, to contemporary artworks by Vivienne Koorland, Oscar Muñoz, and Susan Morris.

Original language	English
Title of host publication	A Companion to Contemporary Drawing
Editors	Rebecca Fortnum, Kelly Chorpening
Publisher	Wiley
Chapter	20
Pages	369-388
Number of pages	20
ISBN (Electronic)	978-1-119-19457-6
ISBN (Print)	978-1-119-19454-5
Publication status	Published - 21 Dec 2020

Publication series

Name	Blackwell Companions to Art History

Keywords

Drawing
Film
Contemporary Art
Krcma
Matisse
Michaux
Kentridge
Koorland
Brakhage
Schneemann
Susan Morris
Alice Maher
Rauschenberg
Hein

Ed Krcma
- E.Krcma@uea.ac.uk
- School of Art, Media and American Studies - Associate Professor of Art History
- Art History and World Art Studies - Member
- Legible / Visible - Group Lead
Person: Research Group Leader, Academic, Teaching & Research

1 Chapter
1 Article

Fortuna: Drawing, technology, contingency
Krčma, E., 2018, In: O que nos faz pensar. 26, 40, p. 135-166 32 p.
Research output: Contribution to journal › Article › peer-review

Open Access
File
Drawing Deformation: On Alice Maher’s Flora and Related Works
Krcma, E., 28 Feb 2013, Alice Maher: Becoming. Enright, A., LLoyd, D., Krcma, E. & Glennie, S. (eds.). Dublin: Irish Museum of Modern Art, p. 112-123 12 p.
Research output: Chapter in Book/Report/Conference proceeding › Chapter

2 Participation in conference
1 Invited talk

Contemporary Drawing, 1960 to Now
Ed Krcma (Speaker)
10 May 2019
Activity: Participating in or organising an event › Participation in conference
Association of Art Historians Annual Conference
Ed Krcma (Speaker)
6 Apr 2017
Activity: Participating in or organising an event › Participation in conference
Courtauld Institute American Art Research Seminar
Ed Krcma (Invited speaker)
27 Feb 2017
Activity: Participating in or organising an event › Invited talk

Cite this

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title = "Marking Time, Moving Images: Drawing and Film",

abstract = "This article explores the range of ways in which artists have brought the practice of drawing into contact with film. This has to do with a range of related but different practices: the articulation of time and the relationship between movement and stillness; the use of film stills and photographs as source material for the production of drawings; the inscription of manual marks directly onto the surface of celluloid film; and the use of film and digital projection to present the process of making drawings. The article ranges widely from works made in the 1940s and 1950s by Henri Matisse and Henri Michaux, to experimental films made in the '60s by Stan Brakhage and Birgit and Wilhelm Hein, to contemporary artworks by Vivienne Koorland, Oscar Mu{\~n}oz, and Susan Morris.",

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booktitle = "A Companion to Contemporary Drawing",

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N2 - This article explores the range of ways in which artists have brought the practice of drawing into contact with film. This has to do with a range of related but different practices: the articulation of time and the relationship between movement and stillness; the use of film stills and photographs as source material for the production of drawings; the inscription of manual marks directly onto the surface of celluloid film; and the use of film and digital projection to present the process of making drawings. The article ranges widely from works made in the 1940s and 1950s by Henri Matisse and Henri Michaux, to experimental films made in the '60s by Stan Brakhage and Birgit and Wilhelm Hein, to contemporary artworks by Vivienne Koorland, Oscar Muñoz, and Susan Morris.

AB - This article explores the range of ways in which artists have brought the practice of drawing into contact with film. This has to do with a range of related but different practices: the articulation of time and the relationship between movement and stillness; the use of film stills and photographs as source material for the production of drawings; the inscription of manual marks directly onto the surface of celluloid film; and the use of film and digital projection to present the process of making drawings. The article ranges widely from works made in the 1940s and 1950s by Henri Matisse and Henri Michaux, to experimental films made in the '60s by Stan Brakhage and Birgit and Wilhelm Hein, to contemporary artworks by Vivienne Koorland, Oscar Muñoz, and Susan Morris.

KW - Drawing

KW - Film

KW - Contemporary Art

KW - Krcma

KW - Matisse

KW - Michaux

KW - Kentridge

KW - Koorland

KW - Brakhage

KW - Schneemann

KW - Susan Morris

KW - Alice Maher

KW - Rauschenberg

KW - Hein

M3 - Chapter (peer-reviewed)

SN - 978-1-119-19454-5

T3 - Blackwell Companions to Art History

SP - 369

EP - 388

BT - A Companion to Contemporary Drawing

A2 - Fortnum, Rebecca

A2 - Chorpening, Kelly

PB - Wiley

ER -

Marking Time, Moving Images: Drawing and Film

Abstract

Publication series

Keywords

Profiles

Ed Krcma

Research output

Fortuna: Drawing, technology, contingency

Drawing Deformation: On Alice Maher’s Flora and Related Works

Activities

Contemporary Drawing, 1960 to Now

Association of Art Historians Annual Conference

Courtauld Institute American Art Research Seminar

Cite this