Abstract
This paper explores the transnational industry of migrant cinema. It particularly
addresses the production and ‘guerrilla film-making’ of this genre in Italy, whilst
aspects of representation and diversity, identity and cultural participation. I focus on the means of production and distribution as they have expanded in a transnational strategy of international co-productions beyond post-colonial communication and cooperation flows, and within new dynamics created by digital technology.
addresses the production and ‘guerrilla film-making’ of this genre in Italy, whilst
aspects of representation and diversity, identity and cultural participation. I focus on the means of production and distribution as they have expanded in a transnational strategy of international co-productions beyond post-colonial communication and cooperation flows, and within new dynamics created by digital technology.
| Original language | English |
|---|---|
| Pages (from-to) | 1237 |
| Number of pages | 1255 |
| Journal | Journal of Ethnic and Migration Studies |
| Volume | 34 |
| Issue number | 8 |
| Early online date | 9 Sept 2008 |
| DOIs | |
| Publication status | Published - Nov 2008 |
Keywords
- cinema
- migration
- production
- Identity
- transnationalism