Abstract
The 1995 raids on the Geneva Freeport premises of Giacomo Medici have had a profound impact on the collecting of and dealing in antiquities. The set of Polaroids seized during the raids (“the Medici Dossier”) has allowed objects that had passed through the hands of Medici to be identified. Fractured, salt-encrusted and mud-covered objects were shown as they appeared to have emerged from the ground and before they passed into the hands of expert conservators who prepared them for sale. The unravelling of the story has become known as the “Medici Conspiracy.” The photographic evidence has brought about the voluntary return of objects from a range of prominent North American museums: Boston’s Museum of Fine Art, the Cleveland Museum of Art, the J. Paul Getty Museum, New York’s Metropolitan Museum of Art, and the Princeton University Art Museum. To these may be added a selection of objects from the Royal-Athena Galleries in New York, and items from the Shelby White (and the late Leon Levy) collection.
Original language | English |
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Title of host publication | Art Crime |
Subtitle of host publication | Terrorists, Tomb Raiders, Forgers and Thieves |
Editors | Noah Charney |
Publisher | Palgrave Macmillan |
Pages | 229-239 |
Number of pages | 11 |
ISBN (Print) | 978-1-137-40757-3 |
DOIs | |
Publication status | Published - 1 Sept 2016 |