TY - JOUR
T1 - Somatosensory driven interpersonal synchrony during rhythmic sway
AU - Sofianidis, George
AU - Hatzitaki, Vassilia
AU - Grouios, George
AU - Johannsen, Leif
AU - Wing, Alan
PY - 2012/6/1
Y1 - 2012/6/1
N2 - Spontaneous synchrony emerges between individuals performing together rhythmic activities while communicating by means of sensory feedback. In this study, we examined the nature of interpersonal synchrony mediated by light fingertip contact when individuals sway rhythmically in the sagittal plane. The effect of traditional dance expertise on interpersonal synchrony was investigated. Sixty participants (30 dancers, 30 novices) formed three types of couples (10 expert couples, 10 novice couples, 10 mixed couples) and performed a rhythmical sway task (40. s) that was either self or metronome paced (frequency: 0.25. Hz). Cross spectral analysis of the center of pressure (CoP) displacement signals revealed that during self-paced sway fingertip contact evoked a decrease of the dominant sway frequency difference between partners, an increase in the coherence between the sway signals and a concentration of relative phase angles towards the in-phase (0°-20°) region. In metronome paced sway however, only expert dancers were able to benefit from haptic contact to further improve interpersonal synchrony. These findings suggest that haptic contact can stabilize the spontaneous coordination dynamics of two persons performing rhythmic sway together. The strength of the emerged synchrony depends on the individuals' expertise to integrate tactile and auditory information about sway.
AB - Spontaneous synchrony emerges between individuals performing together rhythmic activities while communicating by means of sensory feedback. In this study, we examined the nature of interpersonal synchrony mediated by light fingertip contact when individuals sway rhythmically in the sagittal plane. The effect of traditional dance expertise on interpersonal synchrony was investigated. Sixty participants (30 dancers, 30 novices) formed three types of couples (10 expert couples, 10 novice couples, 10 mixed couples) and performed a rhythmical sway task (40. s) that was either self or metronome paced (frequency: 0.25. Hz). Cross spectral analysis of the center of pressure (CoP) displacement signals revealed that during self-paced sway fingertip contact evoked a decrease of the dominant sway frequency difference between partners, an increase in the coherence between the sway signals and a concentration of relative phase angles towards the in-phase (0°-20°) region. In metronome paced sway however, only expert dancers were able to benefit from haptic contact to further improve interpersonal synchrony. These findings suggest that haptic contact can stabilize the spontaneous coordination dynamics of two persons performing rhythmic sway together. The strength of the emerged synchrony depends on the individuals' expertise to integrate tactile and auditory information about sway.
KW - Dance
KW - Expertise
KW - Interpersonal coordination dynamics
KW - Metronome
KW - Rhythmic sway
KW - Tactile contact
UR - http://www.scopus.com/inward/record.url?scp=84863845361&partnerID=8YFLogxK
U2 - 10.1016/j.humov.2011.07.007
DO - 10.1016/j.humov.2011.07.007
M3 - Article
C2 - 22742723
AN - SCOPUS:84863845361
VL - 31
SP - 553
EP - 566
JO - Human Movement Science
JF - Human Movement Science
SN - 0167-9457
IS - 3
ER -