Abstract
The now destroyed Abbey of Maubuisson, situated just northwest of Paris, was a religious foundation that over the centuries crafted a uniquely visceral visual culture. By charting a long history of the institution from its medieval foundation to its early modern demise, this essay looks to Maubuisson's bodies - figures formed of painted wood, marble, gilded copper, and raw preserved flesh - in order to unearth a long-standing proclivity at the abbey for flipping the human form inside-out. Maubuisson brings to light a new context with which we might begin to read medieval and early modern objects: a case study in the folding together of medicine, religious ritual, and sculpture into a distinctive form of institutional, anatomical memory.
| Original language | English |
|---|---|
| Pages (from-to) | 242-273 |
| Number of pages | 32 |
| Journal | Art History |
| Volume | 42 |
| Issue number | 2 |
| Early online date | 6 Mar 2019 |
| DOIs | |
| Publication status | Published - Apr 2019 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 3 Good Health and Well-being
Keywords
- Art history
- Medieval
- History of Medicine
- Anatomy
- Sculpture
- France
Profiles
-
Jack Hartnell
- School of History and Art History - Honorary Associate Professor
- Beyond Materiality - Member
- Legible / Visible - Member
- Art History and World Art Studies - Member
Person: Honorary, Research Group Member, Academic, Teaching and Research
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