Abstract
Many of the known Cycladic figures - the late prehistoric human-shaped sculptures from the Aegean archipelago - came from twentieth-century illicit excavations, especially in the 1960s and 1970s. It is also known that figures were being faked at the time and perhaps also earlier: a few fakes have been identified, whilst other figures are under suspicion. Interviews with a man who faked Cycladic figures in the 1980s and 1990s give us a first insider's autobiographical account of the forging business. This article offers, step-by-step, the method that two forgers developed to create fake figures, to treat them so that they appeared ancient, and to sell them on. The forger has identified a few of these forgeries from photographs of figures; his story is consistent with other information and seems to ring true. By verifying various elements in the forger's testimony - from names of well-known figures in the modern antiquities market to small details and dates - we have been able to evaluate the validity of the narrative; to use it in order to uncover the true paths that fake objects followed into various collections; and to highlight valuable provenance information that no one involved in trading these objects was ever willing to provide.
Original language | English |
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Pages (from-to) | 369-385 |
Number of pages | 17 |
Journal | International Journal of Cultural Property |
Volume | 29 |
Issue number | 3 |
Early online date | 9 Dec 2022 |
DOIs | |
Publication status | Published - 2022 |
Keywords
- Cycladic figures
- Illicit antiquities
- Forgeries
- Antiquities market
- CONSEQUENCES