Uncanny Audio: The place and use of sound in Gothic performance

Richard Hand

doi:10.1057/978-1-349-95359-2

Uncanny Audio: The place and use of sound in Gothic performance

Film, Television and Media

Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

Original language	English
Title of host publication	Contemporary Gothic Drama
Subtitle of host publication	Attraction, Consummation, and Consumption on the Modern British Stage
Editors	Kelly Jones, Benjamin Poore, Robert Dean
Publisher	Palgrave Macmillan
Chapter	7
Pages	125-138
Number of pages	14
Edition	1
ISBN (Electronic)	978-1-349-95359-2
ISBN (Print)	978-1-349-95358-5
DOIs	https://doi.org/10.1057/978-1-349-95359-2
Publication status	Published - 2018

Access to Document

10.1057/978-1-349-95359-2

https://www.palgrave.com/gb/book/9781349953585

Richard Hand
- R.Handuea.acuk
- School of Literature, Drama and Creative Writing - Professor in Media Practice in English
- Comics Studies Research Group - Member
- Film, Television and Media - Member
Person: Research Group Member, Academic, Teaching & Research

Cite this

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title = "Uncanny Audio: The place and use of sound in Gothic performance",

author = "Richard Hand",

year = "2018",

doi = "10.1057/978-1-349-95359-2",

language = "English",

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Uncanny Audio : The place and use of sound in Gothic performance. / Hand, Richard.

Contemporary Gothic Drama: Attraction, Consummation, and Consumption on the Modern British Stage. ed. / Kelly Jones; Benjamin Poore; Robert Dean. 1. ed. Palgrave Macmillan, 2018. p. 125-138.

Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

TY - CHAP

T1 - Uncanny Audio

T2 - The place and use of sound in Gothic performance

AU - Hand, Richard

PY - 2018

Y1 - 2018

U2 - 10.1057/978-1-349-95359-2

DO - 10.1057/978-1-349-95359-2

M3 - Chapter (peer-reviewed)

SN - 978-1-349-95358-5

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EP - 138

BT - Contemporary Gothic Drama

A2 - Jones, Kelly

A2 - Poore, Benjamin

A2 - Dean, Robert

PB - Palgrave Macmillan

ER -

Uncanny Audio: The place and use of sound in Gothic performance

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Richard Hand

Cite this