Uncanny Audio: The place and use of sound in Gothic performance

Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

Original language	English
Title of host publication	Contemporary Gothic Drama
Subtitle of host publication	Attraction, Consummation, and Consumption on the Modern British Stage
Editors	Kelly Jones, Benjamin Poore, Robert Dean
Publisher	Palgrave Macmillan
Chapter	7
Pages	125-138
Number of pages	14
Edition	1
ISBN (Electronic)	978-1-349-95359-2
ISBN (Print)	978-1-349-95358-5
DOIs	https://doi.org/10.1057/978-1-349-95359-2
Publication status	Published - 2018

Access to Document

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title = "Uncanny Audio: The place and use of sound in Gothic performance",

author = "Richard Hand",

year = "2018",

doi = "10.1057/978-1-349-95359-2",

language = "English",

isbn = "978-1-349-95358-5",

pages = "125--138",

editor = "Kelly Jones and Benjamin Poore and Robert Dean",

booktitle = "Contemporary Gothic Drama",

publisher = "Palgrave Macmillan",

edition = "1",

}

Uncanny Audio: The place and use of sound in Gothic performance. / Hand, Richard.
Contemporary Gothic Drama: Attraction, Consummation, and Consumption on the Modern British Stage. ed. / Kelly Jones; Benjamin Poore; Robert Dean. 1. ed. Palgrave Macmillan, 2018. p. 125-138.

Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

TY - CHAP

T1 - Uncanny Audio

T2 - The place and use of sound in Gothic performance

AU - Hand, Richard

PY - 2018

Y1 - 2018

U2 - 10.1057/978-1-349-95359-2

DO - 10.1057/978-1-349-95359-2

M3 - Chapter (peer-reviewed)

SN - 978-1-349-95358-5

SP - 125

EP - 138

BT - Contemporary Gothic Drama

A2 - Jones, Kelly

A2 - Poore, Benjamin

A2 - Dean, Robert

PB - Palgrave Macmillan

ER -