'Visibility brings with it responsibility': Using a pragmatic performance approach to explore a political philosophy of technology

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With the emergence, suspicion and social acceptance of ubiquitous communications technology thoroughly plumbed and the digital age already wondering what it is going to rename itself in light of ever more fluid and complex technologies, this paper asks: what can theatre and performance provide to the production of a political philosophy of technology? Using the work of Maurice Merleau-Ponty, Michel Foucault and an analysis of a recent inter-cultural adaptation of Jean Genet's The Maids, this study examines the politics of visible theatre technologies in performance and offers a pragmatic, or instrumentalist, approach to developing a political philosophy of technology.
Original languageEnglish
Pages (from-to)178-198
Number of pages21
JournalPerformance Philosophy
Issue number1
Publication statusPublished - 1 Aug 2017


  • theatre technology
  • performance technology
  • pragmatism
  • instrumentalism
  • scenography
  • Technology
  • technoculture
  • Genet
  • Merleau Ponty
  • Foucault
  • Multi-media
  • intermediality
  • visibility

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