TY - JOUR
T1 - Zen Violence: The Legacy of Nantenbō Tōjū’s Calligraphy in the Postwar Avant-Garde
AU - Bogdanova-Kummer, Eugenia
PY - 2025/1/1
Y1 - 2025/1/1
N2 - Rinzai Zen priest Nantenbō Tōjū (1839–1925), an important figure in modern Japanese Buddhism, was also a prominent calligrapher. His eccentric large-scale works inspired avant-garde artists of the Gutai and Bokujinkai groups, and reverberated globally in postwar abstract art. Known for his close ties with the Meiji military, particularly General Nogi Maresuke (1849–1912), Nantenbō promoted the values of “Imperial-Way Zen.” This article shows how Nantenbō’s calligraphy, which channeled the militarist ideology of the Japanese Empire, fed into the postwar avant-garde and complicated Zen’s role in the politically charged art of the cultural Cold War.
AB - Rinzai Zen priest Nantenbō Tōjū (1839–1925), an important figure in modern Japanese Buddhism, was also a prominent calligrapher. His eccentric large-scale works inspired avant-garde artists of the Gutai and Bokujinkai groups, and reverberated globally in postwar abstract art. Known for his close ties with the Meiji military, particularly General Nogi Maresuke (1849–1912), Nantenbō promoted the values of “Imperial-Way Zen.” This article shows how Nantenbō’s calligraphy, which channeled the militarist ideology of the Japanese Empire, fed into the postwar avant-garde and complicated Zen’s role in the politically charged art of the cultural Cold War.
KW - Japanese art
KW - Zen
KW - avant-garde
KW - calligraphy
UR - http://www.scopus.com/inward/record.url?scp=105002762902&partnerID=8YFLogxK
U2 - 10.1525/jjs.2025.51.1.1
DO - 10.1525/jjs.2025.51.1.1
M3 - Article
SN - 1549-4721
VL - 51
SP - 1
EP - 40
JO - Journal of Japanese Studies
JF - Journal of Japanese Studies
IS - 1
ER -